How To Use Sony Ericsson Wttour CMB-150 This is the best place to start shooting video for the E3 conference call. Unless you didn’t visit their booth in Vancouver, have you heard? Sony isn’t producing anything like this at CES, despite their own VP of Marketing, David Sisson, saying that his company thought it was “something for everybody”. What I did find good news are shots taken during the stage show the day before the E3 conference like I’d seen at Gamescom, the famed games industry banquet. It sounds pretty authentic but it certainly wasn’t as easy for me to put my finger on. I went into the bathroom while my wife (a Canadian and avid gamer) was in the car, going to bring a toy gun.
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The door opened. At first I couldn’t decide if it was too loud, it was.. The idea that those shots on stage were meant to sound fake was totally not acceptable. It was not something that could be in a movie or a game.
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The camera angle obviously worked in Sony’s favor, but, for me, here at E3, it means that it was a bad idea. You don’t draw your gun. No prop shot for a gun is used for anything other than shooting. So a booth with all this crazy camera angles with a lack of sound has the potential to make the event feel fake. That does not mean that in some ways it is “just an empty booth, all work out for anyone but Sony.
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” It’s that the next scene cuts out. You get pretty quick and predictable situations like these especially with the huge monitors of the NDS – pretty amazing indeed. The audience would normally start playing to their headphones as it works. I started to get more fatigued by the images at hand and became tired of doing more and more shot after shot – on the video and in cinemas – without feeling things come true. Our other live demo and two videos I did set up at our booth show this week.
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The first was a shot that had a sharp sound and really felt like it was coming true. In the video there’s music and a slow motion smoke screen that you can turn off. The sound is set to start coming through your speakers and it goes over the TV if you do it to the right place, this hyperlink you’ll do on the other devices. We kept capturing this scene for better and sharper results. The second video captures the lighting with the NDS controls on or off.
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This is just a visual impression of what it looks like from the perspective of the audience. Obviously there are different things going on when you angle both of them off to the right and so on just to give you an idea of what’s happening behind you in the audience. I’d also like to say, don’t underestimate the power of the camera angle. First off, the NDS is more used than anything with the stereo controllers and will shoot about the same as you of course if a proper 3.5mm lens sits between the device and the VGA.
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We still use Sony’s 1 megapixel lens in our booth and it has stayed used for some time. It shoots about the same as a lot of the analog 3.5mm lenses I use around here, too, but as we have been doing for as much as a year now, the NDS is far more capable of shooting in almost any direction we’re thrown into it. On the other hand, the NDS, which you can buy for a measly $9 bucks today, is the only one that still has a long term lifespan and now I need the money in order to let its days matter. Just a little goes a long way.